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The Best Dystopian Films Released Between Blade Runner films. From TV to books to movies, dystopian tales are in the air right now. All week long, Vulture is exploring how they’ve been imagined in popular culture. It’s an interesting time to be a science- fiction fan: Not only are we coming up on the actual time period when so many unforgettable dystopian nightmares take place (Akira and The Running Man largely take place in the year 2. Genre trends ebb and flow, but I’d say we’re in a very prolific period for movies that stare down the barrel of our present reality and try to explore what future we might be creating for ourselves.

The result tends to be pessimistic, yes, but a gripping story can be the sugar to help that bitter pill go down. Coming in the middle of all this is the return of one of the movies’ most beloved cyberpunk visions: Ridley Scott’s 1. Blade Runner. The impending release of director Denis Villeneuve’s Blade Runner 2. The 2. 01. 9 Los Angeles of Blade Runner doesn’t look so likely two years out (though with the gutting of the EPA, who knows, we could get there), but its now instantly recognizable visual language has taken on an influential life of its own. It’s one of those films where everything seems to have come together at the right time from all angles: Syd Mead’s both ancient- feeling and hypermodern concept designs, the Japanophilia of the ’8.

Designed for WatchCartoonOnline.CoM. See Shopping List: Recent Releases : Waxwork is a 1988 USA / West Germany / UK comedy horror by Anthony Hickox. Starring Zach Galligan, Deborah Foreman and Jennifer. Blade Runner is a 1982 American neo-noir science fiction film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos.

Vangelis’s haunting score, Harrison Ford’s hangdog star power. Dick’s original story about an ex- cop charged with hunting down rogue “replicants” asks questions that science fiction (and actual science) is still asking itself today. So while there have been a wealth of cinematic dystopias that came before and many yet to come, the Blade Runners bookends are as good as any to define the futuristic worlds that accompanied the turn of the millennium, more than a few of which are already supposed to have come to pass. It’s a brief look back before Blade Runner 2. Maybe by then, the neon and smog- choked skies, smoky bars, eyeball labs, and the temple- like skyscrapers looming over what feels like humanity’s final days will seem downright quaint. A few parameters for this list: These are all films that are meant to take place in at the very least, a near future — so alternate histories like District 9 don’t qualify.

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There’s also, ironically, a very fine line between utopias and dystopias, but I would categorize Gattaca and Minority Report as utopias with fatal glitches, rather than all- out dystopias. Beyond that, if it’s not on the list, it’s probably because I don’t think it’s that great. Brazil (1. 98. 5)While the U. S. Set in an urban dystopia not dissimilar to George Orwell’s foundational 1. Brazil follows a lowly paper- pusher (Jonathan Pryce) who dreams of donning some mechanical wings and Ziggy Stardust face paint and flying through the clouds with a beautiful damsel. But an accidental government execution caused by a typographical error draws him and the real- life woman of his dreams together to evade the tyrannical Ministry of Information, who will do anything to cover up their crime. The world of Brazil is more slapsticky and farcical than your average dark future, but it turns truly nightmarish in its final act (which includes one of the greatest cautionary plastic- surgery scenes in cinema.)The Running Man (1.

Reality TV bringing about the second coming of gladiatorial combat has been a perennial fixation of dystopian fiction, and The Running Man is one of the most influential examples. Set literally as we speak (it takes place between the years 2. Arnold Schwarzenegger as a man falsely accused of a massacre who winds up having to fight for his life on live television. The Running Man show itself is like a gruesome cross between American Idol, American Gladiator, and the XFL if it had actually been a success.

Although, as the film (which is based on a Richard Bachman, a. Stephen King novel) posits, when blood sport is the only show on, it’s bound to be a hit. Robo. Cop (1. 98. The ’8. 0s and ’9. Paul Verhoeven’s Robo.

Cop is arguably the gold standard, at least in English- language cinema. In a crime- ridden Detroit (the first of many crime- ridden American cities that will populate this list), a private robotics company signs a deal with the city to begin developing enhanced crime- fighting units. Sci Fi Thriller Movies Churchill (2017) here. But their most powerful weapon proves to be Robo. Cop, a cyborg hybrid created around the brain and face of maimed police officer Alex Murphy (Peter Weller).

Verhoeven turns the greed- driven corporate monsters of Omni Consumer Products into laughable buffoons, and their fully robotic ED- 2. Thanks to a wealth of suitably bonkers performances from an ensemble of some of the finest character actors of the 1. Robo. Cop’s Detroit is not so much suffering from institutional collapse as it is at the hands of Men Gone Wild. They Live (1. 98. They Live’s iconography has practically overshadowed its content at this point, which is too bad, because John Carpenter’s paranoid Reagan- era satire is the director at his most radioactive. While it doesn’t technically take place in the future, the crumbling downtown Los Angeles of the 1. Blade Runner could actually be shot on location); all that was missing was a secret cabal of skeleton- faced aliens and “Rowdy” Roddy Piper’s truth- seeing sunglasses.

They Live is science fiction in the tradition of The Twilight Zone, but it operates with the spirit of a full- throated horror film, a suitably bloody and extreme response to the conservative nightmare that was and is trampling the country’s most vulnerable population. If there’s a flaw to They Live, it’s that its scorched- earth politics are too appealing: Ironically, Carpenter’s film has become a favorite for alt- right conspiracy theorists. Akira (1. 98. 8)Of all the factors contributing to the heaving, anarchic metropolis of Neo- Tokyo in Katsuhiro Otomo’s Akira, a particular timely one is the preparations for the 2. Tokyo Olympics, a then- fanciful speculation that wound up coming true. Of course, Akira also takes place in the aftermath of World War III, after a psychic bomb has wiped out the original city, and its gleaming boulevards and neglected alleyways take on the feeling of a graveyard. The film’s gravitational center is the friendship between biker Kaneda and Tetsuo, who is revealed to be harboring potentially destructive powers.

With bursting, speeding, pulsating animation, Akira is often cited as the most important anime film ever made, if only because it forced the rest of the world to pay attention to the wild renaissance the medium was having in the ’8. The opening bike scene alone is an exhilarating blend of action, world- building, and neon beams trailing off into the night.

Strange Days (1. 99. Katherine Bigelow’s almost absurdly prescient cyberpunk thriller was such a flop that she almost never made another movie again. But it’s been reappraised in the years since, and watching it in 2. Angela Bassett’s Mace, “a lightning bolt from God.” It’s the eve of the turn of the millennium in a crime- ravaged Los Angeles bubbling over with racial tension, and the drug of choice is SQUID discs — recorded experiences transmitted straight to users brains, allowing them to experience vicarious thrills in increasingly violent, explicit scenes. Ralph Fiennes’s Nero is a dealer of such “clips,” and receives a horrific recording of a rape and murder that winds up exposing a citywide conspiracy.

Shot in Los Angeles while the O. J. Simpson trial consumed the city, Strange Days predicted conversations about police brutality, body cameras, and Black Lives Matter two decades early, in addition to its still- relevant commentary on our culture of voyeurism. It’s a tough film to track down, and at times even tougher to watch. Ghost in the Shell (1. One of the great aspects of Mamoru Oshii’s original that this year’s remake missed is how normal its cyber- enhanced world feels to its characters. Buy Radio Dreams (2017) Hq on this page.

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