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Sound + Environment 2. For example, recent developments in the field of ecoacoustics are proving fruitful in assessing ecosystem change. Sound is also increasingly used to monitor built structures and to inform urban design. We can use sound for scientific and artistic exploration, to inform and expand our knowledge of environments and our relationships to the world around us.

What can we learn from each other? Sound can inform a range of innovative interventions and solutions to problems. Through exploring scientific and artistic approaches together, we hope to engage with sound in order to create complementary ways of investigating, understanding, and taking action. Sound + Environment 2.

The programme will feature paper sessions and panels; workshops; public performances; installations, and interventions. Keynote speakers will include Chris Watson and Leah Barclay. Please see below for further details about speakers and the conference programme. The conference will see the launch of . A number of other sound installations and performances will be featured in collaboration with Hull UK City of Culture and the PRS New Music Biennial.

Visiting artist- in- residence, Dave Burraston, will also be presenting an installation and talk as part of his Rainwire project. Sound + Environment 2. School of Arts in collaboration with the Institute of Esturine and Coastal Studies, the Institute of Energy & Environment and the Institute of Culture, Place & Policy, at the University of Hull. Venues include: Middleton Hall: The University of Hull’s newly refurbished (.

The Donald Roy Theatre will be hosting Chris Watson’s . HEARO Concert Layout PDF. Stage @ The Dock: We are exploring possibilities with this new amphitheatre space in the heart of the city’s cultural quarter, at the confluence of the River Hull and the Humber Estuary, opposite Hull’s iconic aquarium, The Deep.

The City of Hull and the University of Hull Campus: We are open to proposals which integrate with spaces around the city and university campus, including soundwalks and augmented reality apps. A number of smaller spaces on the university campus will be available for installations and workshops, as well as a number of lecture spaces.

Keynotes. Chris Watson was a founding member of the influential Sheffield based experimental music group Cabaret Voltaire during the late 1. Since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. As a freelance composer and sound recordist Watson specialises creating spatial sound installations which feature a strong sense and spirit of place. His television work includes many programmes in the David Attenborough . His music is regularly featured on the BBC Radio 3 programme . She specialises in electroacoustic music, acoustic ecology and emerging fields of biology exploring environmental patterns and changes through sound.

Her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including UNESCO, Ear to the Earth, Streaming Museum, Al Gore’s Climate Reality and the IUCN. She creates complex sonic environments, immersive live performances, interactive installations and augmented reality experiences that draw attention to changing climates and fragile ecosystems. She is currently the director of Biosphere Soundscapes and a postdoctoral research fellow at Griffith University in Australia where she is leading a portfolio of research in acoustic ecology and climate change.

Top. Programme. You can download the latest version of the conference programme here: S+E Programme FINALHull UK City of Culture activities during the conference. Chris is an artist who has deep ties to the North of England and who has travelled the world collecting sounds. He is one of the world’s leading recorders of wildlife and natural phenomena – in Watson’s words . The project is a theatrical sound installation that takes the audience on a journey from the confluence of the rivers Ouse and Trent using sound, space and light as an evocation. The sound installation for the Gulbenkian Centre  at the University of Hull uses a wide range of spatial sound techniques, particularly ambisonic sound production.

It will create a sonic arc of the Humber, sweeping above and below the surface, past a mix of remote wilderness and 2. Spurn Point where the sounds of the estuary mix and merge with the voices of the North Sea. The installation can be experienced by walking along the river with a mobile device and triggering geo- located soundscapes. These geo- located sounds are layered with hydrophone (underwater) recordings and creative responses to the river that connect to the soundscapes of river systems across the world. This installation is part of an interdisciplinary project exploring the art and science of listening to rivers and the creative possibilities of aquatic bioacoustics. River Listening explores rivers as the lifeblood of communities and the potential for new approaches in the conservation of global river systems. To experience River Listening, download the free app and your phone will act as a sonic compass guiding you along the river bank (available from the end of June 2.

The result is a series of intriguing and often surprising results, revealing both the city of the ear, and the significant role that everyday sounds play in our lives. It is also designed to complement “Mind on the Run” the year–long celebration of the Hull’s obscurely influential artist, the composer and sonic explorer Basil Kirchin. This is an exciting first joint exhibition for Ferens Art Gallery and Hull Maritime Museum, where the audience will have the opportunity to not only view contemporary art in the gallery but also among objects such as whale bones and ships models in the Maritime Museum. Alongside selected works such as Barbara Hepworth, Dorothy Cross and Bridget Riley from Ferens Collection and Scrimshaw from the Maritime Museum’s Collection. Artists explore their role as a source of food and energy, coral bleaching, a dumping ground for waste and the reference point for many of our most haunting and significant myths. Through a range of media, poetry, writing, film and art these artists pose questions about our connection to and use of the sea.

Invisible Dust has developed relationships between some of the artists with marine biologists and ecologists from Oxford, Southampton and Hull Universities. Being informed and influenced by the science is providing new stimulus to the artists’ ideas.

Offshore is part of season two of Hull UK City of Culture 2. Roots and Routes, which also includes Somewhere Becoming Sea at Humber Street Gallery. That exhibition features recently produced work by artists from the North Sea region, which has been curated by Steven Bode and supported by Film and Video Umbrella and runs from 5 April – 1. June 2. 01. 7. Artist new commissions: Saskia Olde Wolbers, Mariele Neudecker, Badgers of Bohemia, Kasia Molga, Martin Parr, Bik Van Der Pol, Phil Coy, John Wedgwood- Clarke and Rob Mackay, Jonathan Baldock and Ian J Brown and new essay by author China Mi. Opportunities to publish in . You can find out more information here: Form for Exhibitors and Sponsors. Top. Dates. Submission Deadline:                          3.

January 2. 01. 7Extended submissions deadline:      9 February 2. Notification of Acceptance:                3.

March 2. 01. 7Early Bird Registration Opens:          3. March 2. 01. 7Standard Registration Opens:           2. April 2. 01. 7Online Registration Closes:               1. June 2. 01. 7 Conference Dates:                               2. June – 2 July 2. 01. Registration is now closed. Please find useful information about visiting the campus below: The Courtyard Welcome Pack 3.

How to get to Hull The Courtyard. Top. Organising Committee. Dr Rob Mackay (Director) – University of Hull. Dr Matt Barnard (Co- Director) – University of Hull.