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Allen Ginsberg - Wikipedia. Irwin Allen Ginsberg (; June 3, 1. April 5, 1. 99. 7) was an American poet, and one of the leading figures of both the Beat Generation during the 1. He vigorously opposed militarism, economic materialism and sexual repression and was known as embodying various aspects of this counterculture, such as his views on drugs, hostility to bureaucracy and openness to Eastern religions. Burroughs. Ginsberg is best known for his poem . Horn ruled that . He lived modestly, buying his clothing in second- hand stores and residing in downscale apartments in New York’s East Village.

National Book Award for Poetry in 1. Its subject was The Great Books and was taught by Lionel Trilling.

He was allegedly being prosecuted for harboring stolen goods in his dorm room. It was noted that the stolen property was not his, but belonged to an acquaintance. Ginsberg later said that his mother . Eliot for ruining poetry with his 'obscurantism.' I grew suspicious of both sides.

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She would claim, for example, that the president had implanted listening devices in their home and that her mother- in- law was trying to kill her. The trip deeply disturbed Ginsberg – he mentioned it and other moments from his childhood in . For example, . It admonished Ginsberg to be good and stay away from drugs; she says, . The sunshine showed too, a key on the side of the window for me to get out. The yellow of the sunshine, also showed the key on the side of the window. Burroughs, and John Clellon Holmes.

They bonded because they saw in one another an excitement about the potential of American youth, a potential that existed outside the strict conformist confines of post–World War II, Mc. Carthy- era America. Carr also introduced Ginsberg to Neal Cassady, for whom Ginsberg had a long infatuation. Though Ginsberg was never a member of the Communist Party, Kerouac named him . This was a source of strain in their relationship.

Corso, recently released from prison, was supported by the Pony Stable patrons and was writing poetry there the night of their meeting. Ginsberg claims he was immediately attracted to Corso, who was straight, but understanding of homosexuality after three years in prison. Ginsberg was even more struck by reading Corso's poems, realizing Corso was . In their first meeting at the Pony Stable, Corso showed Ginsberg a poem about a woman who lived across the street from him and sunbathed naked in the window. Amazingly, the woman happened to be Ginsberg's girlfriend that he was living with during one of his forays into heterosexuality. Ginsberg took Corso over to their apartment. There the woman proposed sex with Corso, who was still very young and fled in fear.

Ginsberg introduced Corso to Kerouac and Burroughs and they began to travel together. Ginsberg and Corso remained lifelong friends and collaborators. As a Barnard student, Elise Cowen extensively read the poetry of Ezra Pound and T. S. Eliot, when she met Joyce Johnson and Leo Skir, among other Beat players. As Cowen had felt a strong attraction to darker poetry most of the time, Beat poetry seemed to provide an allure to what suggests a shadowy side of her persona. While at Barnard, Cowen earned the nickname .

Through his association with Elise Cowen, Ginsberg discovered that they shared a mutual friend, Carl Solomon, to whom he later dedicated his most famous poem . This poem is considered an autobiography of Ginsberg up to 1. Beat Generation through its references to his relationship to other Beat artists of that time.

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At first, Ginsberg claimed to have heard the voice of God, but later interpreted the voice as that of Blake himself reading Ah, Sunflower, The Sick Rose, and Little Girl Lost, also described by Ginsberg as . Ginsberg believed that he had witnessed the interconnectedness of the universe. He looked at lattice- work on the fire escape and realized some hand had crafted that; he then looked at the sky and intuited that some hand had crafted that also, or rather, that the sky was the hand that crafted itself. He explained that this hallucination was not inspired by drug use, but said he sought to recapture that feeling later with various drugs. Or that God was in front of my eyes - existence itself was God. Before Howl and Other Poems was published in 1. City Lights Bookshop, he worked as a market researcher.

Ginsberg's mentor William Carlos Williams wrote an introductory letter to San Francisco Renaissance figurehead Kenneth Rexroth, who then introduced Ginsberg into the San Francisco poetry scene. Documentary Films Dvd The Salvation (2015) on this page. There, Ginsberg also met three budding poets and Zen enthusiasts who had become friends at Reed College: Gary Snyder, Philip Whalen, and Lew Welch.

In 1. 95. 9, along with poets John Kelly, Bob Kaufman, A. Winans, and William Margolis, Ginsberg was one of the founders of the Beatitude poetry magazine. Wally Hedrick — a painter and co- founder of the Six Gallery – approached Ginsberg in mid- 1. Six Gallery. At first, Ginsberg refused, but once he had written a rough draft of . One of the most important events in Beat mythos, known simply as . Of more personal significance to Ginsberg, the reading that night included the first public presentation of . An account of that night can be found in Kerouac's novel The Dharma Bums, describing how change was collected from audience members to buy jugs of wine, and Ginsberg reading passionately, drunken, with arms outstretched.

Ginsberg's principal work, . Shortly after its 1. San Francisco's City Lights Bookstore, it was banned for obscenity. The ban became a cause c. Horn declared the poem to possess redeeming artistic value.

Ginsberg also later claimed that at the core of . He begins the poem with “I saw the best minds of my generation destroyed by madness”, which sets the stage for Ginsberg to describe Cassady and Solomon, immortalizing them into American literature. In the poem, Ginsberg focused on “Carl Solomon!

I’m with you in Rockland”, and, thus, turned Solomon into an archetypal figure searching for freedom from his “straightjacket”. Though references in most of his poetry reveal much about his biography, his relationship to other members of the Beat Generation, and his own political views, . After a spell in Morocco, he and Peter Orlovsky joined Gregory Corso in Paris. Corso introduced them to a shabby lodging house above a bar at 9 rue G. They were soon joined by Burroughs and others. It was a productive, creative time for all of them.

There, Ginsberg began his epic poem . This period was documented by the photographer Harold Chapman, who moved in at about the same time, and took pictures constantly of the residents of the . During 1. 96. 2–3, Ginsberg and Orlovsky travelled extensively across India, living half a year at a time in Calcutta (Kolkata) and Benares (Varanasi). Also during this time, he formed friendships with some of the prominent young Bengali poets of the time including Shakti Chattopadhyay and Sunil Gangopadhyay. Ginsberg had several political connections in India; most notably Pupul Jayakar who helped him extend his stay in India when the authorities were eager to expel him. England and the International Poetry Incarnation. The event attracted an audience of 7,0.

Ginsberg, Adrian Mitchell, Alexander Trocchi, Harry Fainlight, Anselm Hollo, Christopher Logue, George Macbeth, Gregory Corso, Lawrence Ferlinghetti, Michael Horovitz, Simon Vinkenoog, Spike Hawkins and Tom Mc. Grath. The event was organized by Ginsberg's friend, the filmmaker Barbara Rubin. A book featuring images from the film and some of the poems that were performed was also published under the same title by Lorrimer in the UK and Grove Press in US.

Continuing literary activity. A key feature of this term seems to be a friendship with Ginsberg. Friendship with Kerouac or Burroughs might also apply, but both writers later strove to disassociate themselves from the name .

Ginsberg never claimed to be the leader of a movement.