Exploitation film - Wikipedia. An exploitation film is a film that attempts to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low- quality . Some of these films, such as Night of the Living Dead (1. History. The Motion Picture Association of America (and the Motion Picture Producers and Distributors of America before it) cooperated with censorship boards and grassroots organizations in the hope of preserving the image of a .

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Since the 1. 99. 0s, this genre has also received attention in academic circles, where it is sometimes called paracinema. Titillating material and artistic content often coexist, as demonstrated by the fact that art films that failed to pass the Hays Code were often shown in the same grindhouses as exploitation films.

An exploitation film is a film that attempts to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low.

Exploitation films share the fearlessness of acclaimed transgressive European directors such as Derek Jarman, Luis Bu. Many films recognized as classics contain levels of sex, violence, and shock typically associated with exploitation films; examples are Stanley Kubrick's A Clockwork Orange, Tod Browning's Freaks, and Roman Polanski's Repulsion. It has been suggested that if Carnival of Souls had been made in Europe, it would be considered an art film, while if Eyes Without a Face had been made in the U. S., it would have been categorized as a low- budget horror film. The audiences of art and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings. Child Bride (1. 93. Ozarks. Other issues, such as drug use in films like Reefer Madness (1.

With enough incentive, however, major studios might become involved, as Warner Bros. The film Sex Madness (1. Mom and Dad, a 1.

She Shoulda Said No! In the early days of film, when exploitation films relied on such sensational subjects as these, they had to present them from a very conservative moral viewpoint to avoid censorship, as movies then were not considered to enjoy First Amendment protection.

When Orson Welles' radio production of The War of the Worlds from The Mercury Theatre on the Air for Halloween in 1. Americans and made news, Universal Pictures edited their serial Flash Gordon's Trip to Mars into a short feature called Mars Attacks the World for release in November of that year. Some Poverty Row low- budget B movies often exploit major studio projects. Their rapid production schedule allows them to take advantage of publicity attached to major studio films. For example, Edward L. Alperson produced William Cameron Menzies' film Invaders from Mars to beat Paramount Pictures' production of director George Pal's The War of the Worlds to the cinemas, and Pal's The Time Machine was beaten to the cinemas by Edgar G.

Ulmer's film Beyond the Time Barrier. As a result, many major studios, producers, and stars keep their projects secret. Grindhouses and drive- ins. It is thought to stem from the defunct burlesque theaters on 4. Street, New York, where . In the 1. 96. 0s these theaters were put to new use as venues for exploitation films, a trend that continued strongly throughout the 1. New York City and other urban centers, mainly in North America, but began a long decline during the 1.

As the drive- in movie theater began to decline in the 1. One solution was to book exploitation films. Some producers from the 1.

Many of them were violent action films that some called . They often blur the distinctions between genres by containing elements of two or more genres at a time.

Their subgenres are identifiable by the characteristics they use. For example, Doris Wishman's Let Me Die A Woman contains elements of both shock documentary and sexploitation. They were generally cautionary tales about the alleged dangers of premarital sexual intercourse and the use of recreational drugs.

Examples include Marihuana (1. Reefer Madness (1. Sex Madness (1. 93.

Child Bride (1. 94. Mom and Dad (1. 94. She Shoulda Said No! An exploitation film about homosexuality, Children of Loneliness (1. A string of low- budget juvenile delinquent films featuring hot- rods and motorcycles followed in the 1. The success of American International Pictures' The Wild Angels in 1.

Other biker films include Motorpsycho (1. Hells Angels on Wheels (1. The Born Losers (1. Angels from Hell (1. Easy Rider (1. 96. Satan's Sadists (1. Roger Corman's Naked Angels (1.

The Sidehackers (1. Nam's Angels (1. 97. C. C. Stone (1. 97.

Mad Max (1. 97. 9) combine elements of this subgenre with Ozploitation. Blaxploitation. A prominent theme was African Americans overcoming hostile authority (. The first example of this subgenre was Melvin Van Peebles' Sweet Sweetback's Baadasssss Song, and others are Black Caesar, Black Devil Doll, Blacula, Black Shampoo, Boss Nigger, Coffy, Coonskin, Cotton Comes to Harlem, Dolemite, Foxy Brown, Hell Up in Harlem, The Mack, Mandingo, Shaft, The Spook Who Sat by the Door, Sugar Hill, Super Fly, The Thing with Two Heads, Truck Turner, Willie Dynamite and Cleopatra Jones. The 1. 97. 3 Bond film Live and Let Die uses blaxploitation themes, and Quentin Tarantino's Jackie Brown and Scott Sanders' Black Dynamite are modern homages to this genre. Cannibal films. They focus on cannibalism by tribes deep in the South American or Asian rainforests. This cannibalism is usually perpetrated against Westerners that the tribes held prisoner. As with mondo films, the main draw of cannibal films was the promise of exotic locales and graphic gore involving living creatures.

The best- known film of this genre is the controversial 1. Cannibal Holocaust, in which six animals are killed. Famous directors in this genre include Umberto Lenzi, Ruggero Deodato, Jes! Download Whole Insidious 3 (2015) Movie.

Goin' Down the Road with the Cannibal Girls that Ate Black Christmas. Your Complete Guide to the Canadian B- Movie. They were produced mainly in the United States and Australia. The quintessential film of this genre is Vanishing Point (1. Others include Two- Lane Blacktop (1. The Cars That Ate Paris (1.

Dirty Mary, Crazy Larry (1. Gone in 6. 0 Seconds (1. Death Race 2. 00. Race with the Devil (1.

Cannonball (1. 97. Herbie Goes to Monte Carlo (1. Mad Max (1. 97. 9), The Blues Brothers (1. Dead End Drive- In (1. The Hitcher (1. 98. Quentin Tarantino's Death Proof (2.

Vanishing Point), as well as to slasher films and the films of Russ Meyer. It became known as chambara, an onomatopoeia describing the clash of swords. Its origins can be traced as far back as Akira Kurosawa, whose films feature moral grayness. Chambara features few of the stoic, formal sensibilities of earlier jidaigeki films – the new chambara featured revenge- driven antihero protagonists, nudity, sex scenes, swordplay, and blood. Well- known chambara films include Hanzo the Razor, Lady Snowblood, Lone Wolf and Cub, and Sex & Fury.

Modern Japanese films such as Azumi and anime such as Shigurui continue the chambara tradition, and Quentin Tarantino's Kill Bill series is a prominent American tribute to the genre, as is Ninja Assassin. Other films, such as The Machine Girl and Tokyo Gore Police, combine elements of chambara with body horror. Games like Senran Kagura combines Chambara with sexploitation. Giallo films. They are named for the Italian word for yellow, giallo, the background color of the pulp novels these movies were inspired by.

The progenitor of this genre was The Girl Who Knew Too Much. Other examples of Giallo films include Four Flies on Grey Velvet, Deep Red, The Cat o' Nine Tails, The Bird with the Crystal Plumage, The Case of the Scorpion's Tail, A Lizard in a Woman's Skin, Black Belly of the Tarantula, The Strange Vice of Mrs. Wardh, Blood and Black Lace and Tenebrae.

Dario Argento, Lucio Fulci, and Mario Bava are the best- known directors of this genre. Mockbusters. Production company the Asylum, which prefers to call them . The term didn't become popular until the 1.

Starcrash and the Turkish. D. The latter two used scenes from Star Wars and unauthorized excerpts from John Williams' score. Download Streaming Divx Movies Brooklyn (2015) there.

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