Blood Hunt (2. 01. IMDb. So far from being anywhere close to what a good horror/thriller/survivor- movie should have. I really don't like being negative about low budget movies, but they usually have a deeper respect for filmmaking then the average Hollywood movies. And that's why i love indyfilms,, because they usually push the boundaries. And this is what we see in they're films. A will to make they're stories. This has absolutely none of that spark at all.

Just a idiotic plot to show meaningless violence and a poorly directed rape. And the violence is not even horrible. The bad guys are so horrible actors that the whole thing is more laughable then horrifying. And it's never a good idea to rip off movies like . The fact that it's so obvious puts more focus on the badness of the film. Boring violence isn't enough to make a film shocking. Buy Girl Without Hands US (2017) Movie. You also need a decent story, actors, cameratechnic, editing and a lot more.

Mark Kermode: 5. 0 films every film fan should watch. The Arbor (2. 01. Director Clio Barnard. Watch My Scientology Movie (2017) Online. Artist Clio Barnard’s moving film about the late Bradford playwright Andrea Dunbar (Rita, Sue and Bob Too) is no ordinary documentary. Mixing interviews with Dunbar’s family and friends (seen lip- synched by actors), scenes from her plays performed on the estate where she lived, and TV footage of her in the 1. Mark Kermode says: “Somehow the disparate elements form a strikingly cohesive whole, conjuring a portrait of the artist and her offspring that is both emotionally engaging, stylistically radical and utterly unforgettable.”Bad Timing (1. Director Nicolas Roeg.

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Seen in flashback through the prism of a woman’s attempted suicide, this fragmented portrait of a love affair expands into a labyrinthine enquiry into memory and guilt. One of director Nic Roeg’s finest films, starring Art Garfunkel, Theresa Russell and Harvey Keitel. Mark Kermode says: “Roeg himself reported that a friend refused to talk to him for three years after seeing the film. Today, Bad Timing still divides audiences: monstrosity or masterpiece? Well, watch it and decide for yourself.”La Belle et la B. Deborah Kerr’s Sister Clodagh has a spiritual crisis, while a fellow nun, brilliantly played by Kathleen Byron, becomes erotically obsessed with a British agent, leading to an unforgettable ending. Mark Kermode says: “Black Narcissus is a vividly sensual work, which looks unlike any other British film of the period.

Blu-ray Release Dates Blu-ray release calendar with release dates for new and upcoming Blu-ray releases. Gmail is email that's intuitive, efficient, and useful. 15 GB of storage, less spam, and mobile access. Download high quality movies by BitTorrent, All new and classic movies in high quality AVI, 720p, 1080p, MP4, MKV and 3D formats. Some popular black-and-white media of the past include: Movies: While some color film processes (including hand coloring) were experimented with and in limited.

Oscar wins for Jack Cardiff’s cinematography and Alfred Junge for production design confirm it as a technical triumph, but it is still so much more than that. It is a work of extraordinary power and passion from Powell and Pressburger.”Blithe Spirit (1. Director David Lean. When an eccentric spiritualist summons a man’s first wife, the ghost refuses to leave, much to his and his second wife’s frustration in this wonderful comedy based on one of No. Rex Harrison and Constance Cummings are great as the husband and second wife, but the funniest turns come from Kay Hammond as the spoilt first wife and Margaret Rutherford as the batty medium.

Mark Kermode says: “A spicy screen comedy filmed in blushing technicolour. When Ricky (Walters) is released from prison he soon finds himself drawn back into old ways, while trying protect his brother Curtis (Luke Fraser) from the advances of a local gang. Mark Kermode says: “Both Dibb and Walters have travelled far since the days of Bullet Boy, but this urgent, low- budget British drama remains a defining moment in both of their diverse careers.”Capricorn One (1. Director Peter Hyams. Peter Hyams’ stunning sci- fi thriller is steeped in post- Watergate paranoia. The world watches the first manned flight to Mars, unaware the mission is being faked. Forced to participate, the astronauts realise that when the hoax goes wrong, their existence threatens national security.

In desperation, they escape. Its freewheeling, playful spirit still captures the imagination of new audiences today. Mark Kermode says: “A comparative commercial hit on its release, C. It was also hailed as an influential female buddy movie by critic Jonathan Rosenbaum who wrote that many women consider it to be their favourite film about female friendship, and many men too.”Un chien andalou (1.

Director Luis Bu. Within lavish, expressive sets, the teenage heroine begins to discover her sexuality and its dark, unsettling power. Wolves become human, humans become wolves. The film’s elaborate structure offers tales within tales, but what really grips is the utterly lucid fantasy. Mark Kermode says: “Pitched somewhere between arthouse tract and exploitation horror movie, The Company of Wolves drew mixed responses from some baffled critics, but proved an enduring audience favourite.

Today, it has become a timeless classic, which is studied by film scholars and adored by film fans alike. If you like your fairy tales to have teeth, this is the film for you.”Countess Dracula (1. Director Peter Sasdy. Public decency is breached with laudable regularity in Hammer’s 1. Elizabeth B. Ingrid Pitt plays the widowed countess rejuvenated by virgins’ blood, and Nigel Green her accomplice and lover, Captain Dobi. Indignity is a theme and, for Pitt, a reality: her role was dubbed, and she never spoke to director Peter Sasdy again. Mark Kermode says: “A bona fide screen icon, at the very height of her dark powers.”The Day the Earth Caught Fire (1.

Director Val Guest. When the USA and Russia simultaneously test atomic bombs, the Earth is knocked off its axis and set on a collision course with the sun. Peter Stenning (Edward Judd), a washed- up Daily Express reporter, breaks the story and sets about investigating the government cover- up. With strong performances (Leo Mc. Kern is a standout), a vivid depiction of the world of newspaper journalism and extensive location shooting on the streets of London, Val Guest delivers one of the best British sci- fi films. Mark Kermode says: “Today, the film may seem almost quaint, but it’s as captivating as ever.” Dead Ringers (1.

Director David Cronenberg. David Cronenberg’s multi- award- winning psychological thriller explores the bizarre lives of identical twins, Elliot and Beverly, both played by Jeremy Irons. World- renowned gynaecologists, the twins share everything from their clinic to their women, until they meet Claire (Genevi. Beverly falls in love with her, and a schism develops between the brothers for the first time. Mark Kermode says: “It’s not the visual effects that dazzle, the real magic is in the performances, with Jeremy Irons using the Alexander technique to give Elliot and Beverly different stances, different energy points.

Davies’ poetic masterpiece has now acquired the status of a modern British classic. Mark Kermode says: “Described at one point as . Highly original and insightful in its narrative details, and directed with an impressively cool, almost mechanical precision, the film was greeted as a breakthrough in Greek filmmaking. Mark Kermode says: “Balancing astute social commentary with absurd tragi- comedy, Dogtooth has been read as a dissection of Greek society, both personal and political. Lanthimos retains a Lynchian quality of refusing to discuss his work, saying that, . In an apparently idyllic 1. Wiltshire, an ambitious draughtsman is commissioned by the wife of an aristocrat to produce 1.

Extravagant costumes, a twisting plot, elegantly barbed dialogue and a mesmerising score by Michael Nyman make the film a treat for ear, eye and mind. Mark Kermode says: “It is weirdly wonderful, from Nyman’s Purcell- influenced score to Sue Blane’s eye- catching costumes. Most importantly the film shows a unique talent getting to grips with narrative cinema that is as engaging and alluring as it is baffling and perplexing.”The Elephant Man (1. Director David Lynch. John Hurt, unrecognisable beneath the makeup, delivers a tender performance as the severely deformed Joseph Merrick, rescued by Anthony Hopkins’ kindly surgeon from the hell of a circus sideshow to a more genteel world of scientific enquiry. David Lynch’s sensitive study of disability and difference was shot in lustrous black and white by veteran cinematographer and ex- Hammer director Freddie Francis. Mark Kermode says: “There was nothing John Hurt couldn’t do, but it is a role in which his famous face was all but hidden and his mellifluous voice almost unrecognisable that ironically garnered some of his greatest reviews.”Face (1.

Director Antonia Bird. Robert Carlyle and Ray Winstone star in a stylish and exciting crime thriller from acclaimed director Antonia Bird (Safe, Priest). A close- knit gang of professional thieves plan an intricate heist but begin to turn on each other when things go wrong. Mark Kermode says: “A cracking but often overlooked crime thriller from 1.