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Neil Peart - Wikipedia. Neil Peart. OCPeart performing with Rush in 2. Background information. Birth name. Neil Ellwood Peart. Born(1. 95. 2- 0. Brawl In Cell Block 99 (2017) Free Online.

September 1. 2, 1. Hamilton, Ontario, Canada. Genres. Progressive rock, hard rock, jazz, heavy metal. Occupation(s)Musician, songwriter, producer, author. Instruments. Drums, percussion.

Years active. 19. Present (hiatus)Labels. Mercury, Anthem, Atlantic. Associated acts. Rush, Buddy Rich Big Band. Websiteneilpeart. Notable instruments.

Richard Feynman; Born: Richard Phillips Feynman May 11, 1918 Queens, New York, U.S. Died: February 15, 1988 (aged 69) Los Angeles, California, U.S. Resting place.

Neil Ellwood Peart, OC (/

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Paragon Signature cymbals. Remo Drum Heads. Neil Ellwood Peart, OC (; born September 1. Canadian- American musician and author, best known as the drummer and primary lyricist for the rock band Rush. Peart has received numerous awards for his musical performances, including an induction into the Modern Drummer Hall of Fame in 1. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full- time drummer.

After a discouraging stint in England to concentrate on his music, Peart returned home, where he joined a local Toronto band, Rush, in the summer of 1. Early in his career, Peart's performance style was deeply rooted in hard rock. He drew most of his inspiration from drummers such as Keith Moon and John Bonham, players who were at the forefront of the British hard rock scene. In 1. 99. 4, Peart became a friend and pupil of jazz instructor Freddie Gruber. Gruber was also responsible for introducing him to the products of Drum Workshop, the company whose products Peart currently endorses.

In addition to being a musician, Peart has published several memoirs about his travels. Peart is also Rush's primary lyricist. In writing lyrics for Rush, Peart addresses universal themes and diverse subject matter including science fiction, fantasy, and philosophy, as well as secular, humanitarian and libertarian themes. All five of his books are travel- based non- fiction, though they diverge into his life and these subjects as well. Peart lives in Santa Monica, California, with his wife, photographer Carrie Nuttall, and daughter, Olivia Louise. He also has a home in the Laurentian Mountains of Quebec, Canada, and spends time in Toronto for recording purposes.

On December 7, 2. Peart announced his retirement from music in an interview with Drumhead Magazine. The first child of four. Catharines when Peart was two years old. At this time his father became parts manager for Dalziel Equipment, an International Harvester farm machinery dealer.

In 1. 95. 6 the family moved to the Port Dalhousie area of the town. Peart attended Gracefield School and later Lakeport Secondary School, and describes his childhood as happy and says he experienced a warm family life. By early adolescence he became interested in music and acquired a transistor radio, which he would use to tune into pop music stations broadcasting from Toronto, Hamilton, Welland, Ontario and Buffalo, New York. Johns Anglican Church Hall in Port Dalhousie. His next appearance was at Lakeport High School with his first group, The Eternal Triangle.

This performance contained an original number titled . At this show he performed his first solo. By his late teens, Peart had played in local bands such as Mumblin’ Sumpthin’, the Majority, and JR Flood. These bands practiced in basement recreation rooms and garages and played church halls, high schools and roller rinks in towns across Southern Ontario such as Mitchell, Seaforth, and Elmira.

They also played in the northern Ontario city of Timmins. Tuesday nights were filled with jam sessions at the Niagara Theatre Centre. Rand's writings became a significant early philosophical influence on Peart, as he found many of her writings on individualism and Objectivism inspiring. References to Rand's philosophy can be found in his early lyrics, most notably . Catharines, he worked for his father selling tractor parts at Dalziel Equipment.

Joining Rush. Catharines band known as Hush, who played on the South Ontario bar circuit. Geddy Lee and Alex Lifeson oversaw the audition. His future bandmates describe his arrival that day as somewhat humorous, as he arrived in shorts, driving a battered old Ford Pinto with his drums stored in trashcans. Peart felt the entire audition was a complete disaster.

Peart procured a silver Slingerland kit which he played at his first gig with the band, opening for Uriah Heep and Manfred Mann in front of over 1. Civic Arena, Pittsburgh, Pennsylvania on August 1. Before joining Rush, he had written few songs, but, with the other members largely uninterested in writing lyrics, Peart's previously underutilized writing became as noticed as his musicianship. The album, despite record company indifference, became their breakthrough and gained a following in the United States.

They returned to Rockfield to record the follow- up, Hemispheres, in 1. The recording of five studio albums in four years, coupled with as many as 3. Peart has described his time in the band up to this point as . Peart accepted and performed for the first time with the Buddy Rich Big Band.

Peart remarked that he had little time to rehearse, and noted that he was embarrassed to find the band played a different arrangement of the song than the one he had learned. At the recommendation of bassist Jeff Berlin, Peart decided to once again augment his swing style with formal drum lessons, this time under the tutelage of another pupil of Freddie Gruber, Peter Erskine, himself an instructor of Steve Smith. The concert has since been released on DVD.

Family tragedy and recovery. His common- law wife of 2.

Jacqueline Taylor, succumbed to cancer only 1. June 2. 0, 1. 99. Peart attributes her death to the result of a . She just didn't care.

After his journey, Peart decided to return to the band. Peart wrote the book as a chronicle of his geographical and emotional journey. Peart was introduced to photographer Carrie Nuttall in Los Angeles by long- time Rush photographer Andrew Mac. Naughtan. They married on September 9, 2. In early 2. 00. 1, Peart announced to his bandmates that he was ready to return to recording and performing. The product of the band's return was the 2. Vapor Trails. At the start of the ensuing tour in support of the album, it was decided amongst the band members that Peart would not take part in the daily grind of press interviews and .

Peart has always shied away from these types of in- person encounters, and it was decided that exposing him to a lengthy stream of questions about the tragic events of his life was not necessary. In the June 2. 00. Peart's website's News, Weather, and Sports, titled . And it does not pain me to realize that, like all athletes, there comes a time to.. I would rather set it aside than face the predicament described in our song 'Losing It'.

I got used to it, and continue to use the heavy end of lighter sticks – it gives me a solid impact, but with less 'dead weight' to sling around. Peart went back to using primarily matched, though he does switch to traditional from time to time when playing songs from Test for Echo and during moments when he feels traditional grip is more appropriate, such as the rudimental snare drum section of his drum solo.

He discusses the details of these switches in the DVD Anatomy of a Drum Solo. Equipment. This was done in order to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area. Some purely electronic non- instrumental sounds are also used. One classic MIDI pad used is the Malletkat Express which is a two- octave electronic MIDI device that resembles a xylophone or piano. The Malletkat Express is composed of rubber pads for the . Beginning with 1. Grace Under Pressure, he used Simmons electronic drums in conjunction with Akaidigital samplers.

A staple of Peart's live drum solos has been the in- performance rotation- and- swap of the front and back kits as part of the solo itself. This special effect provides both a symbolic transition of drum styles within the solo and a visual treat for the audience. In the early 2. 00.